INTHE MOOD FOR LOVE (2000) Film yang menyoroti kehidupan rumah tangga selalu punya sisi yang dalam untuk ditelusuri. Tahun 2010 lalu memunculkan beberapa film bertema tersebut dan saya menonton "Rabbit Hole" dan "Blue Valentine". Keduanya sama-sama mengangkat isu bahwa "Pernikahan itu tidak mudah" dalam kasus yang berbeda. Heres In The Mood For Love's quietly devastating ending scene explained. Wong Kar-wai is arguably best known for 1994's Chunking Express, a Hong Kong set romance that was acclaimed for its dreamy atmosphere and cinematography. A yearning for romance is at the core of most of the filmmaker's work, including Chunking Express "sequel" Fallen Angels, Happy Together or his only English language HongKong, 1962. Chief editor of a local daily newspaper, Chau and his wife move into new accommodation in a building mainly inhabited by the Shanghai community. He soon meets Li-chun, a very beautiful young woman who has also just moved in with her husband. She is a secretary in an export firm, and her husband is a representative for a Thisis an extremely well done tragic love story. Yes, it is an old story line, but the era (1911), the setting (small towns in Wales), and mixing in closely held cultural and religious beliefs by both the Welsh and Jewish communities, adding the social unrest caused by poverty and labor disputes, and you have a complex confluence of raging emotions which confront two young people who happened Inthe Mood for Love offers a sweet romance, suspense, humor and a whole lotta heart. When you first begin reading, you might, as When I saw the cover and read the synopsis for In the Mood for Love by Beth Ciotta, I could not help but say yes to this tour. Dịch Vụ Hỗ Trợ Vay Tiền Nhanh 1s. They are in the mood for love, but not in the time and place for it. They look at each other with big damp eyes of yearning and sweetness, and go home to sleep by themselves. Adultery has sullied their lives his wife and her husband are having an affair. "For us to do the same thing," they agree, "would mean we are no better than they are." The key word there is "agree." The fact is, they do not agree. It is simply that neither one has the courage to disagree, and time is passing. He wants to sleep with her and she wants to sleep with him, but they are both bound by the moral stand that each believes the other has taken. You may disagree with my analysis. You may think one is more reluctant than the other. There is room for speculation, because whole continents of emotions go unexplored in Wong Kar-wai's "In the Mood for Love," a lush story of unrequited love that looks the way its songs sound. Many of them are by Nat King Cole, but the instrumental "Green Eyes," suggesting jealousy, is playing when they figure out why her husband and his wife always seem to be away at the same times. His name is Mr. Chow Tony Leung Chiu-wai. Hers is Su Li-zhen Maggie Cheung Man-yuk. In the crowded Hong Kong of 1962, they have rented rooms in apartments next to each other. They are not poor; he's a newspaper reporter, she's an executive assistant, but there is no space in the crowded city and little room for secrets. Cheung and Leung are two of the biggest stars in Asia. Their pairing here as unrequited lovers is ironic because of their images as the usual winners in such affairs. This is the kind of story that could be remade by Tom Hanks and Meg Ryan, although in the Hollywood version, there'd be a happy ending. That would kind of miss the point and release the tension, I think; the thrust of Wong's film is that paths cross but intentions rarely do. In his other films, like "Chungking Express," his characters sometimes just barely miss connecting, and here again key things are said in the wrong way at the wrong time. Instead of asking us to identify with this couple, as an American film would, Wong asks us to empathize with them; that is a higher and more complex assignment, with greater rewards. The movie is physically lush. The deep colors of film noir saturate the scenes Reds, yellows, browns, deep shadows. One scene opens with only a coil of cigarette smoke, and then reveals its characters. In the hallway outside the two apartments, the camera slides back and forth, emphasizing not their nearness but that there are two apartments, not one. The most ingenious device in the story is the way Chow and Su play-act imaginary scenes between their cheating spouses. "Do you have a mistress?" she asks, and we think she is asking Chow, but actually she is asking her husband, as played by Chow. There is a slap, not as hard as it would be with a real spouse. They wound themselves with imaginary dialogue in which their cheating partners laugh about them. "I didn't expect it to hurt so much," Su says, after one of their imaginary scenarios. Wong Kar-wai leaves the cheating couple offscreen. Movies about adultery are almost always about the adulterers, but the critic Elvis Mitchell observes that the heroes here are "the characters who are usually the victims in a James M. Cain story." Their spouses may sin in Singapore, Tokyo or a downtown love hotel, but they will never sin on the screen of this movie, because their adultery is boring and commonplace, while the reticence of Chow and Su elevates their love to a kind of noble perfection. Their lives are as walled in as their cramped living quarters. They have more money than places to spend it. Still dressed for the office, she dashes out to a crowded alley to buy noodles. Sometimes they meet on the grotty staircase. Often it is raining. Sometimes they simply talk on the sidewalk. Lovers do not notice where they are, do not notice that they repeat themselves. It isn't repetition, anyway-it's reassurance. And when you're holding back and speaking in code, no conversation is boring, because the empty spaces are filled by your desires. Roger Ebert Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism. Now playing Film Credits In the Mood for Love 2001 Rated NR for thematic elements and brief language. 97 minutes Latest blog posts about 3 hours ago about 20 hours ago 1 day ago 1 day ago Comments In The Mood For Love Hong Kong, 2000 5/5 Feelings can creep up just like that. I thought I was in control. RottenTomatoes 90% IMDb 8,1/10 Metascore 85/100 NikenBicaraFilm 5/5 Rated PG Genre Romance, Drama, Art-house Directed by Wong Kar-wai ; Produced by Wong Kar-wai ; Written by Wong Kar-wai ; Starring Maggie Cheung, Tony Leung ; Music by Michael Galasso, Shigeru Umebayashi ; Cinematography Christopher Doyle, Mark Lee, Ping Bin ; Edited by William Chang ; Distributed by Universal Pictures US ; Release dates 29 September 2000 ; Running time 98 minutes ; Country Hong Kong ; Language Cantonese. Shanghainese Story / Cerita / Sinopsis Mengambil lokasi di Hongkong di tahun 1962, In The Mood For Love bercerita tentang kedua orang yang sudah menikah, Mrs. Chan alias Su Li-Zhen Maggie Chung dan Mr. Chow Tony Leung yang hidup bertetangga dan kemudian mengetahui pasangan mereka masing-masing berselingkuh. Keduanya lalu menjalin pertemanan, sebelum lambat laun menyadari bahwa keduanya saling menyimpan perasaan. Review / Resensi Perlu diketahui terlebih dahulu bahwa saya nggak cukup familiar dengan film-film Asia baru-baru ini aja saya aware bahwa Asia ternyata bisa bikin film yang bagus, selama ini saya terlalu American-minded. Belum pernah nonton film-film Wong Kar-Wai, namun nama beliau sudah sering saya dengar setiap ada yang menyebut best Asian director. In The Mood For Love adalah salah satu film Wong Kar-Wai yang sering disebut-sebut sebagai salah satu karya terbaiknya dan bahkan baru-baru ini menduduki peringkat ke-2 dalam daftar film terbaik abad ke-21 versi BBC nomor 1-nya Mulholland Drive, and to be honest I'm not really understand why people loves Mulholland Drive that much. Dibintangi oleh Maggie Cheung dan Tony Leung, In The Mood For Love bercerita tentang Mr. Chow Tony Leung dan Mrs. Chan Maggie Cheung yang hidup bertetangga di sebuah apartemen. Keduanya kemudian mengetahui bahwa pasangan masing-masing berselingkuh satu sama lain, dan hal ini membuat mereka lalu menjalin hubungan lebih dekat daripada sekedar tetangga. Namun keduanya memutuskan untuk menjalin hubungan platonik, karena - terutama Mrs. Chan, tidak ingin menjadi seperti pasangan mereka yang berselingkuh. Tanpa disadari dan pastinya sudah bisa ditebak, keduanya lalu saling jatuh cinta. Oke, harus diakui tempo lambat film ini membuat saya awalnya menonton sambil "nyambi" mainan handphone dan ini adalah keputusan yang buruk. In The Mood For Love adalah art-house movie, dan buat saya menonton art-house movie suka bikin pegel sendiri dan membutuhkan semacam mood dan strong determination dari awal supaya gag ngantuk di tengah-tengah film. In The Mood For Love bukan film yang bisa ditonton tanpa konsentrasi, karena penyampaian Wong Kar-Wai mengenai konflik emosional sang karakter dan plot ceritanya disampaikan dengan cara yang sangat subtle dan cenderung less-dramatic. Editingnya juga agak putus-putus sehingga kadang kamu bingung timeline antara satu adegan dengan adegan lainnya. Saya sendiri harus memperhatikan detail-detail kecil sebagaimana yang Su Li-Zhen katakan dalam salah satu scene "you notice things if you pay attention, seperti baju yang dikenakan Mrs. Chan atau dasi yang dikenakan Mr. Chow untuk tahu bahwa antar satu adegan dengan adegan lainnya ada di waktu yang berbeda. Demikian pula dengan setting tempatnya saya harus memperhatikan detail-detail kecil seperti furniture yang ada. Ketika film telah selesai pada percobaan menonton pertama kali yang disambi mainan handphone saya akui saya sampai harus nonton dua kali, saya nggak terlalu dapet kesan yang memuaskan mengenai film ini. Namun ketika menonton untuk kali kedua, ketika konsentrasi saya benar-benar tercurahkan untuk menonton filmnya dengan lebih memperhatikan detail-detail kecilnya, pada akhir film saya akhirnya memahami betapa indah dan sedih-nya In The Mood For Love. Tentu, pada akhir film saya menemukan mata saya berkaca-kaca. It really broke my heart. In The Mood For Love is a perfect movie about unrequited love. Mungkin ini sedikit spoiler, tapi biarlah, Pesona In The Mood For Love ada pada bagaimana Wong Kar-Wai menyampaikan kisah cinta yang menyedihkan ini melalui sinematografinya, properti dan tatanan pendukung visualnya, hingga scoring music dari Michael Galasso dan Shigeru Umebayashi yang sarat melankolia. Menonton In The Mood For Love bagi saya seperti menonton visual poetry, dan ini jelas bukan puisi cinta yang manis. Ending scene-nya yang melibatkan Ankor Wat, kala Mr. Chouw membisikkan rahasia perasaan cintanya, adalah momen yang bagi saya paling mempesona sekaligus menyedihkan. Sinematografi yang menawan, alunan musik yang indah dan sendu, serta dinding kokoh Ankor Wat yang menjadi saksi bisu ungkapan perasaan cinta dan rindu Mr. Chouw - ah it just a perfect end scene that make me cry a lot. Beneran lho, it dragged me down emotionally. Bagi sebagian orang, kisah cinta antara kedua manusia ini mungkin terasa sangat "bodoh", because they don't fight for their love dan kesannya terlalu mendayu-dayu. Namun In The Mood For Love mengambil waktu di Hongkong pada tahun 60-an, sehingga situasi sosial yang konservatif masih sangat kuat membuat langkah keduanya untuk bersatu sangat berat terlihat dari bagaimana gosip-gosip tetangga kepo yang menghakimi orang lain. Melalui secuplik percakapan singkat, kita juga mengetahui bagaimana keduanya menghadapi problematika rumah tangga mereka, Mr. Chouw yang mencoba untuk tidak terlalu memikirkannya dan lebih berkonsentrasi pada proyek mengerjakan novel martial-arts-nya, sedangkan Mrs. Chan sendiri lebih memilih mempertahankan pernikahannya dan lebih menjaga jarak dengan Mr. CHow karena tidak ingin melakukan hal yang sama dengan yang dilakukan suaminya. In The Mood For Love adalah film yang mencoba menyampaikan bahwa marriage is hard, infidelity hurts, love is complicated, and revenge for your spouse's cheating is not that simple. Saya cukup tertarik juga mengenai bagaimana Mr. Chan dan Mrs. Chouw pasangan masing-masing kedua tokoh utama tidak pernah ditampilkan wajahnya, membuat emosi penonton kepada pasangan yang selingkuh ini nyaris datar. Tidak ada pula mengenai penggambaran karakter keduanya, membuat kita sama-sama bertanya-tanyanya dengan kedua tokoh utamanya mengenai bagaimana atau mengapa mereka bisa berselingkuh. Overview In The Mood For love is a bitter romance story and wonderful movie about unrequited love. and is literally makes you in the mood for love. Menonton In The Mood For Love seperti menonton sebuah visual poetry yang disampaikan dengan subtle dan melankolis. Cukup melelahkan untuk ditonton penonton awam, namun sangat sepadan. Visual dan sinematografinya sangat menawan, dukungan scoring music-nya juga begitu indah, dan Tony Leung yang anyway kok kayaknya di mata saya mengingatkan saya dengan Ibas anaknya SBY haha dan Maggie Cheung juga bermain dengan baik. SummariesTwo neighbors form a strong bond after both suspect extramarital activities of their spouses. However, they agree to keep their bond platonic so as not to commit similar in Hong Kong, 1962, Chow Mo-Wan is a newspaper editor who moves into a new building with his wife. At the same time, Su Li-zhen, a beautiful secretary and her executive husband also move in to the crowded building. With their spouses often away, Chow and Li-zhen spend most of their time together as friends. They have everything in common from noodle shops to martial arts. Soon, they are shocked to discover that their spouses are having an affair. Hurt and angry, they find comfort in their growing friendship even as they resolve not to be like their unfaithful Hong Kong. On the exact same two days, Mr. and Mrs. Chow and Mr. and Mrs. Chan, who don't know each other, rent a room in adjacent flats from the resident owner, Mr. and Mrs. Koo and Mrs. Suen respectively, and move into their room. They join the friendly relationship that exists between their landlords and the other residents of the building, although the Chows and Chans' entry into the relationships are more cordial than friendly. With Mrs. Chow and Mr. Chan often out of town either on business or personal matters, Mr. Chow and Mrs. Chan lead a somewhat emotionally lonely existence. The cordiality and emotional isolation extend to Mr. Chow and Mrs. Chan's working lives. Mr. Chan, a newspaper journalist who would rather be writing martial arts serials, has as his closest work colleague Ping, a gambler who often takes advantage of that friendship. And Mrs. Chan's job as a secretary to married Mr. Ho largely entails her handling his personal affairs, including managing and facilitating his affair with Miss Yu, something she cannot talk about to anyone. Eventually, Mr. Chow and Mrs. Chan individually come to the realization that their respective spouses are having an affair with each other, mostly taking place when they are out of town together. In dealing with this joint betrayal of their respective marriages, Mr. Chow and Mrs. Chan begin spending time together. Despite they not doing anything untoward with each other, they do not tell anyone of their time together in the inappropriateness of two married people of the opposite sex being alone with each other. As they try to figure out what to do about their respective marriages, the situation becomes more complicated when they admit that they are falling in love with each other, something that neither intended when they began their Kong, 1962. Two married couples, the Chans and the Chows, move in next door to each other. Mr Chan is hardly around, regularly disappearing overseas on business. Mrs Chow works odd hours and also tends to go overseas a lot. Mrs Chan and Mr Chow are initially just neighbors but over time a friendship blossoms, and then develops into something the backdrop of a bustling 1962 Hong Kong, and a noisy, cramped apartment building, two neighbours, Mr Chow and Mrs Chan, gradually realise that their spouses are having an affair. Blemished by betrayal's painful stain, the lithe Mrs Chan and the morosely handsome Mr Chow now struggle to understand-and keep at bay bottled-up emotions, repression, and loneliness-bound by their noble beliefs and their inflexible morality. However, little by little, a silently passionate undercurrent of inexpressible affection starts to creep up on them, as both find themselves powerless before the catalytic force of love. Are man's vows strong enough to suppress desire?—Nick RiganasSynopsisTwo couples Mr and Mrs Chan Mrs Chan played by Maggie Cheung and Mr and Mrs Chow Mr Chow played by Tony Leung Chiu Wai move into the same building on the same day. Both spend much time alone as their respective spouses work long hours. One day they discover when talking things over that their spouses are having an affaire. The two lonely hurt people come together as friends and try to reproduce the infidelity of their husband and wife whilst analysing just how it happened. Deciding in doing so to avoid the usual clichés and above all not become like 'them' they end up by falling in love for real. In becoming what they had objected to and despised they break up and leave for different lives. In the end of the movie we learn that both of the couples have split up and are alone. Mrs Chan has a son which we assume could be Mr Chow's although their 'union' was never actually shown, but implied. A divine movie with a beautiful haunting music and fabulous photography. Stephanie MurrayContribute to this pageSuggest an edit or add missing contentWhat is the streaming release date of In the Mood for Love 2000 in Canada?AnswerSee more gapsLearn more about contributingEdit pageMore from this title Synopsis Feel the heat, keep the feeling burning, let the sensation explode. Taking place in Hong Kong of 1962, a melancholy story about the love between a woman and a man who live in the same building and one day find out that their husband and wife had an affair with each other. Cast Crew Details Genres Releases Cast Director Producer Executive Producer Writer Editors Cinematography Production Design Art Direction Composers Sound Costume Design Makeup Studios Countries Original Language Spoken Languages Alternative Titles Stvorení pre lásku, Huāyàng Niánhuá, In the Mood for Love - Der Klang der Liebe, Aşk Zamanı, 화양연화 리마스터링, 花様年華：2000, В настроение за любов, Desitjant estimar, Stvořeni pro lásku, In The Mood For Love, Ερική Επιθυμία, Deseando amar, Con Ánimo de Amar, در حال و هوای عشق, מצב רוח לאהבה, Szerelemre hangolva, 花様年華, სასიყვარულო განწყობა, 화양연화, Meilės laukimas, Spragnieni miłości, Amor à Flor da Pele, Disponível Para Amar, Любовное настроение, Любовний настрій, Tâm Trạng Khi Yêu, 花样年华 Genres Themes Moving relationship stories Relationship comedy emotion, emotional, moving, sadness or feelings sex, sexual, relationships, erotic or sensual romance, emotion, relationships, feelings or captivating marriage, emotion, romance, relationships or feelings romance, charming, comedy, witty or delightful Show All… Premiere 20 May 2000 France Cannes Film Festival 26 Sep 2000 Spain San Sebastián Film Festival 14 Oct 2000 South Korea Pusan International Film Festival Closing Film 27 Oct 2020 South Korea Busan International Film Festival Restored Version Theatrical 29 Sep 2000 Hong Kong 21 Oct 2000 South Korea15 27 Oct 2000 08 Nov 2000 FranceU 26 Jan 2001 02 Feb 2001 USAPG 23 Feb 2001 Brazil14 15 Mar 2001 NetherlandsAL 29 Mar 2001 AustraliaG 31 Aug 2001 LithuaniaN-7 28 Sep 2001 Turkey 29 Oct 2020 Thailand 04 Mar 2021 28 Apr 2021 Italy 29 Apr 2021 Hong Kong 02 Jul 2021 FinlandS Physical 21 Jan 2002 Greece 06 Apr 2006 NetherlandsAL 25 Nov 2021 Germany6 TV 11 Oct 2002 NetherlandsAL Popular reviews More I remember back when this girl and I were still together, she once asked me when I fell in love with her. I told her it was like a house you pass every day on the way to work. One day, you notice a for sale sign on an empty lot. Another day you drive by and you notice they've laid the foundations. Another day, the walls are up, and another day there's a roof, a garage, and finally a family living inside. You don't know exactly when all this happened; you just looked one day and noticed it was there. I tell you this story because it reminds me of a line from In the Mood for Love -… this movie INVENTED the color red. pay up taylor swift The scenes where the main song of the film appears and the protagonists come and go in slow motion, are a cinematographic orgasm rarely achieved in the history of the cinema me wong kar wai Heres a reminder that love is painful and "in the old days, if someone had a secret they didn't want to share... you know what they did?""no idea.""they went up a mountain, found a tree, carved a hole in it, and whispered the secret into the hole. then they covered it with mud. and leave the secret there forever.""what a pain! i'd just go get laid."still probably the definitive cinematic depiction of romantic longing and loneliness. every texture, color, composition, song and overall stylistic flourish contributing to an intense mood of lush melancholy. also helps that most of this movie is just two of the hottest hong kong actors of all time, sitting around beautiful mise-en-scène in beautiful clothing, smoking and eating noodles sensually. This review may contain spoilers. I can handle the truth. if i was married to mrs. chan i simply would not cheat on her. rip to mr. chan but i'm different. For something called In The Mood For Love, this is one of the loneliest films I’ve ever seen. Pure those dresses were an absolute SERVE I'M IN THE MOOD FOR DEATH “It is a restless moment…”Writing about “In the Mood for Love” has always been a bit like dancing about architecture. “If we could tell a film,” a frustrated Jafar Panahi once raged under house arrest, “then why make a film?” If we could express in words the heart-stopping beauty of Wong Kar Wai’s sensually choreographed shadow tango or bottle the shudder of feeling that runs up our spines at the first strains of “Yumeji’s Theme”, he wouldn’t have felt compelled to shoot it. For 15 months straight. To an extent that’s true of all Wong’s work, which is singularly cinematic even in its shortcomings. But the feeling is perhaps most palpable with “In the Mood for Love,” which was… you know how in the Sixth Sense the color red represents that ghosts are around? okay well this is just like that except red represents me wanting to fucking die and its in every shot These two should fuck!!!!!!! Among other things, this is a film about how hard it is to watch movies all the time when you’re married. Mentioned by

in the mood for love sinopsis